Choirs can give any kind of music a lift, but sampled
choirs are not versatile and many vocal synthesize
concentrate so hard on trying to sing a lyric that they
forget to carry a tune.
Ever wondered how Tomita created such convincing choir
sounds...
Voc one is different, using a simple analogue
synthesizer to simulate the glottal pulse or pulses and
then using a powerful, morphable formant filter bank to
give a realistic, warm and flexible vocal quality:
full control over each stage of the vocal synthesis
morphable formant filter with 11 recognised phonetic
vowel spectra
morphing between vowels sounds subtle and natural
control over the register of the formant filter and
the emphasis to give a much greater range of
possible vocal types
8 presets plus room for 8 more
built in high quality reverb (UDReverb based on
freeverb - thanks to Elogoxa and David Haupt for
this)
