Endorphin is no universal talent either.
It is a specialist for complex sources like a mixdown, after having made
minor sonic adjustments and right before burning the track to CD.
Furthermore, it can help to increase depth, definition and loudness of a
track.
I call it an 'analog-style' compressor: endorphin uses models like
frequency-dependent nonlinear operation, different harmonics creation
stages as well as two basic compressor circuits taken from the analog
realm.
Transparent Brickwall Limiting with 0 db stop,
Variable knee from 0% to 100% to keep limiting distortion at a minimum,
"IQ" mode to get a more "intelligent" release from the knee with program
emphasis, Low latency for live performance use (40 samples at 44.1khz =
ca 1ms latency), Stereo link to preserve stereo field Supported
samplerates: 44.1khz - 192khz
Classic Compressor is a classic analog style VST
Compressor Plugin with a lot of warmth and punch. Special designed to
use on individual Instruments and Vocal, but also useable on your final
mixes.
W1Limiter -
The
BetabugsAudio edition of George Yohng's W1 takes the same spectacular
limiting engine and gives it a new interface. The W1 interface follows
the BetabugsAudio tradition of simplicity and elegance, while providing
an inspiring appearance that matches the plug-in's form to its function.
We sincerely hope you like it - cause we do!!! This is the best sounding
freeware limiter out there - thanks George.
RubyTube simulates tube preamps for those that
can’t forget. If you are missing that subtle sparkling and compression
that you get when using ancient audio equipment, RubyTube might be
something for you. And like many other good things in life, RubyTube is
free. RubyTube is a real time, digital tube amp simulator. RubyTube
simulates the saturation effect that can be found in audio equipment
with vacuum tubes. This effect is usually hardly noticable but it is
responsible for the classic tube sound. Sometimes its just a sparkle on
the voice and a slight compression of drums and bass that makes the
difference between a neutral recording and a warm and full sounding
song.
